Saturday 28 March 2015

Touch Radio 052: Richard Crow - Imaginary hospital radio

Imaginary Hospital Radio mimics and subverts conventional hospital radio and its aim to relieve its listeners/patients through the collaging and dissecting of the visceral and surgical sounds associated with illness and disease. The hospital’s unwanted sounds and noise provide an unexpected artistic source, as a kind of sonic tableau – an invisible operating theatre in which the sonic/audio auscultation/surgery occurs ‘live to ear’.


Richard Crow is an inter-disciplinary artist with a strong background in experimental audio work, photo based media, live performance and site-specific installation. He utilises sound and noise in a performative way, for its spatial and subjective qualities and above all for its psycho-physical implications for the listener. Over the past two decades his solo and collaborative site-specific installations and performances have consisted of highly conceptualised interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot.
Crow has collaborated, performed, and recorded with many leading musicians and sonic artists including Joe Banks, Adam Bohman, The Hafler Trio, Clive Graham, Michael Prime, Dean Roberts, Kaffe Matthews, Michael Morley, Sandoz Lab Technicians, & dy'na:mo.

Human Rights Films on Mubi

MOLOCH TROPICAL

directed by RAOUL PECK
Haiti, 2009

SYNOPSIS

Raoul Peck claims Alexander Sokurov’s Moloch as his own. Transplanting the Russian director’s unsettling mountain idyll between Adolf Hitler and Eva Braun from Bavaria to the green heat of Haiti, Peck tucks a searing critique of absolute power within the most elegant chamber drama.

THE SHELTER

L’ABRI

directed by FERNAND MELGAR
Switzerland, 2014

SYNOPSIS

One winter in an emergency shelter for the homeless in Lausanne. Every night, the same ritual plays out at the door to this unassuming basement: a dramatic dash for the entrance, a ruckus sometimes occasioning violent altercations…

THE SQUARE

"AL MIDAN"

directed by JEHANE NOUJAIM

Egypt, 2013

SYNOPSIS

In February 2011, Egyptians—particularly young ones—showed the world the way people demanding change can drive an entire nation to transformation. The result was a profound movement toward democracy that is still evolving across the Arab world…

Saturday 14 March 2015

Bobby - Kpei - Sounds Like Gun

Wage-labour and capital - Karl Marx - audiobook


Orignally written as a series of newspaper articles in 1847, Wage-Labour and Capital was intended to give a short overview, for popular consumption, of Marx’s central threories regarding the economic relationships between workers and capitalists. Recorded as an audiobook by LibriVox.
These theories outlined include the Marxian form of the Labour Theory of Value, which distinguishes “labour” from “labour-power”, and the Theory of Concentration of Capital, which states that capitalism tends towards the creation of monopolies and the disenfranchisement of the middle and working classes. The Theory of Alienation, which describes a dehumanising effect of capitalist production, in which an immediate social signifcance of labour to the worker is absent, is also touched upon. These theories were later elaborated in Volume 1 of Capital, published in 1867.
This edition of Wage-Labour and Capital, published in 1891, was edited and translated by Friedrich Engels, and remains one of the most widely read of Marx’s works.

Dead Drops


‘Dead Drops’ is an anonymous, offline, peer to peer file-sharing network in public space. USB flash drives are embedded into walls, buildings and curbs accessible to anybody in public space. Everyone is invited to drop or find files on a dead drop. Plug your laptop to a wall, house or pole to share your favorite files and data. Each dead drop is installed empty except a readme.txt file explaining the project. ‘Dead Drops’ is open to participation. If you want to install a dead drop in your city/neighborhood follow the ‘how to’ instructions and submit the location and pictures.