Sunday, 18 December 2011
Interesting Articles on Sound
Why we love sounds of the city jungle - Hitting the right notes is more effective than noise reduction in making life less stressful
Thursday, 8 December 2011
Wednesday, 7 December 2011
Patience (After Sebald) - Grant Gee

Patience (After Sebald) is a multi-layered film essay on landscape, art, history, life and loss by the acclaimed documentary film-maker Grant Gee. It is an exploration of the work and influence of German writer WG Sebald (1944 – 2001), told via a long walk through coastal East Anglia tracking his most famous book The Rings of Saturn. The book mixed history, travelogue, memoir, meditation, fiction and images to explore the personal, public and often overlooked histories of Suffolk.

Sebald has profoundly influenced some of today's leading writers, thinkers and artists. Some of these – interviewed for the film include Adam Philips, Robert Macfarlane, Rick Moody and Tacita Dean.
Labels:
Books,
Documentary,
History,
Memory
Tuesday, 25 October 2011
Hildegard Westerkamp’s 'Kits Beach Soundwalk'
Kits beach soundwalk an aural meditation

A walk on Kits Beach will never be the same after you listen to Hildegard Westerkamp’s “Kits Beach Soundwalk.” You may have often paused to admire a pretty seashell or a dreamy cloud formation, but when was the last time you stopped to listen to the barnacles?
Westerkamp is a sound composer; she records ambient noises and edits them to produce original works. One of the sounds highlighted in her Kits Beach piece is the clicking made when water recedes from a barnacle-covered rock. We’ve all http://www.blogger.com/img/blank.gifheard it; few have noticed it.
“Once you record, your ear shifts tremendously,” Westerkamp explains.
“Just as looking through a camera you see the world differently, when you begin to record you hear the world differently.”
Westerkamp began working with ambient sound through Vancouver Soundscape, a recording project undertaken in 1973 by a group of SFU composers and academics, and led by composer R. Murray Schafer.
Follow this fantastic link to inspire you to get away from the computer and go on soundwalk of your own today

A walk on Kits Beach will never be the same after you listen to Hildegard Westerkamp’s “Kits Beach Soundwalk.” You may have often paused to admire a pretty seashell or a dreamy cloud formation, but when was the last time you stopped to listen to the barnacles?
Westerkamp is a sound composer; she records ambient noises and edits them to produce original works. One of the sounds highlighted in her Kits Beach piece is the clicking made when water recedes from a barnacle-covered rock. We’ve all http://www.blogger.com/img/blank.gifheard it; few have noticed it.
“Once you record, your ear shifts tremendously,” Westerkamp explains.
“Just as looking through a camera you see the world differently, when you begin to record you hear the world differently.”
Westerkamp began working with ambient sound through Vancouver Soundscape, a recording project undertaken in 1973 by a group of SFU composers and academics, and led by composer R. Murray Schafer.
Follow this fantastic link to inspire you to get away from the computer and go on soundwalk of your own today
Labels:
Field Recording,
Soundscape,
Soundwalk
Soundscape Vancouver Documentary
Soundscape Documentary feat.Vancouver B.C
thanks Vancouver and all it sounds.
Andres Santana
Labels:
Acoustic Ecology,
Documentary,
Soundscape
Monday, 24 October 2011
Sonorous City - London Soundscape Project
Sonorous City is an immersive surround-sound installation exploring the relationship between the soundscape and our perception of the urban environment. A series of soundwalks stemming from the River Thames form the basis of the work, which reveals an experience of London lead by the ear.
Sonorous City is the result of a 2 year (part-time) MA research project in Digital Arts.
Sonorous City is the result of a 2 year (part-time) MA research project in Digital Arts.
Labels:
Acoustic Ecology,
Field Recording,
Installation Art
Steve Barsottii
Steve Barsottiis a Seattle based improviser, sound artist, instrument inventor and educator. His work explores notions of reduced listening through close examinations of easily bypassed sonic details; sounds that can only be heard through contact microphones and amplification or the sonic qualities of materials and objects found in everyday life. He invites the listener to forgo an attempt at literal connections with the sounds and to focus on the sounds in and of themselves. Steve is chair of the Pacific Northwest Society for Acoustic Ecology.
Labels:
Acoustic Ecology,
Field Recording,
Phonography
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