Armed with small handycams, the Burma VJs stop at nothing to make their reportages; their material is smuggled out of the country and broadcast back into Burma via satellite and offered as free usage for international media.
The whole world has witnessed single event clips made by the VJs, but for the very first time, their individual images have been put together with Østergaard's sparingly-used reconstruction to tell a riveting story which offers a unique insight into high-risk journalism and dissidence in a police state, while at the same time providing a thorough documentation of the historical and dramatic days of September 2007, when the Buddhist monks started marching.
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