Friday, 21 January 2011
Archimedean solid
Whilst on a recent trip to Haifa, in the on the north-western coast of Israel, I observed a building out of the window of the train which had a rather intriguing shape protruding from the main building itself. I later discovered that it was The National Institute of Oceanography (NIO).
I thought this would be a fantastic shape for some sort of microphone so I decided to do further research into this shape and to my suprise, discovered that this shape had been illustrated by Leonardo Da Vinci who named it rhombicuboctahedron and the following image is from the Divina Proportione (written in Milan in 1496–98, published in Venice in 1509).
There is a really in-depth wikipedia page dedicated to Archimedean Solids, to which this this shape, officially called a Rhombicuboctahedron, belongs. The following shape is a net which I used as the basis for making a drawing on rhino from which I could then cut a metal shape to form a very accurate 3D model.
Friday, 14 January 2011
How music-buying habits have changed
By Sarfraz Manzoor
Writer and broadcasterThe news that HMV is the latest music retailer in trouble may not upset the downloaders. But for many, like this self-confessed music obsessive, record shops were always more than just a place to buy the latest album.
Thursday, 13 January 2011
The Philips Pavilion
Brussels World’s Fair, 1958
In 1956, the artistic director of the Philips company, Louis C. Kalff, asked Le Corbusier to design a pavilion that would embody and demonstrate the excellence of the company’s products for the benefit of visitors to the Brussels World’s Fair. Le Corbusier agreed, proposing a “bottle” that would house a light, colour, image, rhythm and sound show that Le Corbusier called an “electronic poem”. Poème électronique was the title of the musical score commissioned from avant-garde composer Edgar Varèse specifically for use in the Pavilion.
Labels:
Architecture,
Avant-Garde,
Festival,
Performance
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